garden of eden tracy k smith analysis
Her translations of poetry by Yves Bonnefoy include Words in Stone and The Origin of Language. Once, a bag of black beluga I know that her poems inspired some of my own, if even only in tone. This was the shattered promise of Reconstruction, which collapsed under the weight of reactionary white politics (and outright terrorism) by the late 1870s. Smith works like a novelist, curating the national tongue. God then planted a garden eastward in Eden (2:8), containing both the tree of life and the tree of knowledge of good and evil (2:9). Adam is tasked with keeping or maintaining the garden. God tells him he can freely eat of every tree in the garden, except for the tree of the knowledge of good and evil, for to eat of that tree would be to die. On June 14, 2017, Librarian of Congress Carla Hayden announced the appointment of Tracy K. Smith as the 22nd Poet Laureate Consultant in Poetry. Curtis Fox: So please give that a read if you would. Articulating one would require thinking of others as more than free particles in a market or economic obstacles and opportunities. We often want more from life than is achievable and all-in-all, thats okay. Her last collection was Tracing the Lines(Brick Road Poetry Press, 2013). Tracy K. Smith: Yeah, the sense of dark possibility rose to the surface. This week, Retelling the American Story. I love the things my students are willing to learn, and the risks they are willing to take with their poems. I think it is the shift in vocabulary that reads loudest in the books, and that is really a private attempt at finding something newly engaging in my usual conundrums.WASHINGTON SQUARE: You direct the undergraduate Creative Writing Program at Princeton University; though youre currently taking time off to focus on Laureate duties, youve taught and advised student poets for years. Some do a lot, some very little. I know its a huge honor, and thats the first thing that I felt when Dr Hayden called me. To capacity. Anyone can read what you share. WebThe story Garden of Eden introduces the first man and woman that God created. The United States expanding industrial wealth in the nineteenth century was inseparable from this machine; American capital has always been massed on the backs on nonwhite people.These appellants use the lingo of capitalism, insofar as they are asking for money. Even going into the first trip, I was thinking okay, Im performing a service. Poetry wasnt really on my radar thenat least nothing contemporarybut I was taking a required composition course, and in the classroom I spotted a poster bearing some lines from a poem. WebPoems, readings, poetry news and the entire 100-year archive of POETRY magazine. The poem, titled Garden of Eden begins with Smith acknowledging a profound longing for her Garden of Eden, or moreover her personal paradise. Selected by Naomi Shihab Nye. The poet is having an ominous sense that this century is going to be quite something to handle, which turned out to be true. Or next to nothing and drops it in the chute. What a profound longing Among her current projects is Self-Portraits,a chapbook collection of ekphrastic poems focused on women artists. (Jonathan Bachmans renowned shot shows two policemen in body armor arresting a woman named Ieshia Evans; the black-clad officers whip out their handcuffs for no discernible reason as Evans stands in silent dignity, wearing a long dress.). Those banked poems help me get started, but inevitably the work generated during that intense period is characterized by recurring themes, images, vocabulary, and obsessions. And I love how Wright allows the text of her various speakers to become a kind of chorus. Its not that I dont like it because Ew, poetry, but rather because I just dont understand a majority of it. I think in these most recent poems, Im trying to figure something out about the possibility of something like universal oneness. For me, the memory of catching a poem in that fashion seeps into the sense of peace the poem contemplates, causing it to feel fleeting, like something it would be easy, if youre not working very deliberately, to lose.WASHINGTON SQUARE: Your poems have a habit of calling chronology into question. So I had to kind of really think about it, before saying yes. Once I have a body of realized poems that feels substantialsay, 30 or 40 pagesI start to hunt for the different things the poems seem to be saying to one another in an effort to decipher what is missing. Did that effect the way that you thought about what you were going to do as Poet Laureate? The couplet looped in my head for weeks, and when I finally resorted to Google, I learned it was from Smiths first collection, The Bodys Question.I borrowed her books from the library and found them full of lines like the ones that had hooked me. Wade in the Water in particular enlists a whole chorus of voices, including historical ones resurrected almost verbatim in collages and erasures. Both are longing for some kind of extra-human counterpoint to the real, the earthbound, the flawed, the finite. I was dreaming that I was reading aloud a mural that had been made of a Carl Phillips poem, when suddenly my waking mind broke in to say: Thats not a Carl Phillips poembut if you write it down it can be yours! I woke up and struggled to remember and reconstruct the lines Id read in the dream. I guess Ive been thinking a lot about mythology. We were then asked to form an opinion on the meaning and significance of the poem. The something climbs, leaps, isFalling now across us like the prank of an icy, brainyLord. Moreover, my sense of the nearness of the pastthe way that our public grappling with race and racial prejudice has begun to feel so much like a throwback from an earlier timeignited the urgent wish to hear something in an earlier periods voices that might be useful at this moment in the 21st Century.The title Wade in the Water comes from an African American spiritual, which seems apt for a collection that thinks so much about faith, race, and history (especially the Civil War), and for a poet whose previous book took its name from a song, too. Not the liberal version, where everything naturally progresses toward a better reality, but something more ambiguous and fragile. I think this is a poem thats about, okay, Im just past that, and look what I can almost afford. I imagined my Civil War poem would be a one-time exploration of its time period, but when I came back a few years later to writing poetry, the concerns I found myself wrestling with were rooted in similar questions of history, race, compassion and justice. Have your process and preoccupations changed? Tracy K. Smiths unforgettable poem from Wade in the Water feels so potent right now. An elegy to your mother in The Bodys Question ends with the lines, We sat in that room until the wood was spent. (I know Eternity quotes a line from a Yi Lei poem you translated.) A few years ago, actually several years ago now, I wrote a sonnet that I contributed to an anthology called Monticello in Mind, that was edited by Lisa Russ Spaar, and they were poems about Thomas Jefferson. taken Captive Some of these events have happened in large public spaces, so its been a matter of reading and then having maybe a public Q&A or more of a back and forth afterward. If I read a poem about my father, sometimes if the poem is doing its work, you might begin to think about your relationship with your father, even if it might be different from what my poem says. https://www.nytimes.com/2020/07/30/magazine/poem-beatific.html. Do these various modes of working with existing text feel similar to each other? Wade in the Water begins with the desolate luxury of the ironically titled Garden of But those things came out in this poem. WebMy maker says this poem reminds him of the little groceries and bodegas of his onetime New York neighborhood. As Auden supposedly said in conversation, you cant half-read it. Due to the insinuation that this is an expensive shop, she reminisces of being in her thirties and seeing the The glossy pastries! and the Pomegranate, persimmon, [and] quince! sold there. WebTracy K. Smith is a contemporary American poet who is born in Massachusetts. SMITH: I think the only way students learn how to craft their own poems is by reading and learning to pay close attention to the specific choices that other writers make. Comprehending, and perhaps steering, its history requires love amid the ruins.Unrest in Baton Rouge underscores this. And youre leaving it to us, the reader, to fill in the blank. While I labored to find My poems strain for the kind of freedom to rise above Time on occasion, to see through it, to make use of what once (when I needed it) might have been invisible to me and what now (after the fact) can seem plain. For Smith, this is a lavish shop that seems to be selling a very specific selection of goods. I spent about 2 hours going through this list of poets trying to find someone that I could just. Would you read it for us? Livid, the land, and ravaged, like a rageful, Would survive ushow little we had mended, Large and old awoke. Im talking about the many products, services, networks, trends, apps, tools, toys, as well as the drugs and devices for remedying their effects that are pitched to us nonstop: in our browser sidebars, in the pages of print media, embedded in movies and TV shows, on airplanes, in taxis and trains and even toilet stalls. Then I felt like the poem could finally get somewhere. That process involves weekly meetings where we are looking at and critiquing new poems, but also trying to listen to the themes and questions driving the work. Social media, this idea that if you have a life its only useful or only real if you can demonstrate it, I feel like the beginning of that frenzy or that appetite seems to line up in my mind with that period, yeah. Like the letters themselves, Smiths poem is restorative. When capital is everything, queasy questions[1] bubble up: Is capitalism compatible with democracy? He has plundered our In part, I think its true to say that the selves Im most committed to in that book are the ones our culture continues to make most vulnerable: women, people of color, the lonely and disenfranchised. / The wood was never spent. In Wade in the Water, the first section of Eternity begins It is as if I can almost still remember and closes with trees Ageless, constant, / Growing down into earth and up into history. Any thoughts on the challenges and possibilities of processing (or traversing) time through language? Im Curtis Fox. But even, it seemed to answer some of the questions that come up when we talk about this racial divide. It teases us; it helps us sometimes, so that what is happening now feels like it has already occurred once before; it bridles adults and happily submits to being largely ignored by children. And as many have observed since capitalism emerged (see William Blakes Satanic mills or Upton Sinclairs meatpacking plants), this tends to have baleful effects on how we conceive of social relationships and our own selves. Curtis Fox: This is Poetry Off The Shelf from The Poetry Foundation. What about you? This is an essential book, one that should be required reading throughout the land. The shoulders. At the same time, several shorter poems contain a lyric I observing a stranger (for example, Beatific and Charity). And if you enjoy that, I highly recommend checking out Leaving therapy, she feels a profound longing for the grocery store, which becomes a sort of temple where spiritual and aesthetic desire mix (The glossy pastries! The collections final poem, An Old Story, also feels faintly Biblical. 83 pp.Reviewed by Susanna Lang. Or how you can sometimes see the humor in your own dire or embarrassing situation, and how that can be both frustrating and something you file away under Things that Will Be Funny in the Future. Wade in the Water is, wonderfully, a Poet Laureates booka book that speaks for the poet herself and for us all, at a perilous moment in our history. Elbow sore at the crook destroyed the lives of our Poems, like movies, are good at indulging this wish. WASHINGTON SQUARE: In Ordinary Light you recall your first poem, written in grade school and titled Humor. These days much of your work deals with weighty topics, though youve said in other interviews that writing often feels joyful. This is Tracy K. Smiths America, a lyric insurrection within Donald J. Trumps.Wade in the Water begins with the desolate luxury of the ironically titled Garden of Eden. It is set in the dawning century of the neoliberal universe, where everything is a market; the speaker is a thirtysomething New Yorker scraping out a life in the long tail of the Great Recession, a specter that looms over many poems in the collection. WebPoet, librettist, and translator Tracy K. Smith served two terms as Poet Laureate of the United States and is the Roger S. Berlind 52 Professor in the Humanities at Princeton University, where she also chairs the Lewis Center for the Arts. I am always asking poems to show me who we are, what we are connected to, what our actions and choices set into motion, and whether it might somehow be possible to become better at being human. And, for all their sagacity and poisetheir precise images and finely-crafted musicSmiths poems manage to be, too, surprising and audacious. Tracy K. Smith, I hope your poem is a prophecy. I thought of to bear witness, as the book itself does, but I also thought to bear unspeakable suffering. But translating is a different thing altogether. I love chicken. Or was it just a sense of being spurred to write by the experience of working intensively with language?SMITH: Yi Lei has big questions. The last couplet, which read You are not the only one / Alive like that, lodged in my mind: even lacking any context for the words, I felt electrified by the truth they managed so simply to express, and by the sense of wise, intimate authority the second-person address carried. The way you can break into laughter remembering something while at a funeral, say, and Ive been sharing work by other American poets, and readings of my own poems as well, and just asking a very simple question, which is, what do you notice? Even a simple poem like The Good Life grew large, for me at least,when the image of a woman journeying for water from a village without a well arrived. Tracy K. Smith served as U.S. poet laureate from 2017-19 and teaches at Princeton University. His comic jogCarries him nowhere. WASHINGTON SQUARE: Your work notably embraces questioningboth via interrogatives and through other formulations that reject single, easy truths (e.g., New Road Station names four things history metaphorically isnt, along with at least three that it perhaps might be). She went on to receive her MFA from Columbia University. What is it that I could do in this role that would be different and useful. Copyright 2018 by Tracy K. Smith. Tracy K. Smith: Sure. History is in a hurry, runs New Road Station. Her latest book is Cast Away, from Greenwillow Books. The way you can break into laughter remembering something while at a funeral, say, and how that can both deepen and lighten your sense of grief. Not only that, several poems were originally written for separate projects: museum exhibitions, an NPR broadcast, an academic conference. Heavy lifting, to be sure. His arms churn the air. ravaged our And if Trump has done anything positive for the country, hes inadvertently, by his own racist statements and actions, put the conversation front and center in American life. The first line introduces the readers to both the casual Poems are so great because they urge you to start thinking in honest and even vulnerable terms about your own life and your own experiences. 4 (September 2018), RHINO Reviews Vol. Wade in the Water by Tracy K Smith is published by Penguin (8.99). And maybe thats me speaking as someone in mid life, someone whos the parent of kids and has fears about the future. It was so strange. Declaration uses erasure to repurpose Thomas Jeffersons litany of complaints against King George, evoking the slaves forced migration to this country and their experience here of unspeakable oppression. I wanted to draw-in the sense of the living spirit at the heart of that nights encounter, and at the heart of the tradition of the ring shout itself: the sense of love and deliverance, of faith and compassion, of justice and survival.Watershed was a poem I knew I wanted to write. Over her career, she has published a memoir and four books of poetry, including Register now and publish your best poems or read and bookmark your favorite popular famous poems. The glossy pastries! Title notwithstanding, the poem doesnt feel ostentatiously politicalcertainly not compared to some of its neighbors (e.g. Her poem is an erasure poem, a form of found poetry, making it even more successful in her criticism of the original document. According to the cultural theorist Mark Fisher, this mental architecture almost inevitablybarring unusual cultural circumstances or great personal fortitudetakes the form of capitalist realism, which consists in the widespread sense that not only is capitalism the only viable political and economic system, but also that it is now impossible even to imagine a coherent alternative to it (Fishers italics). Tracy K. Smith was born in Massachusetts and raised in northern California. She has taught at Princeton University and Harvard University. Her writing contests the deeply isolating structures of capitalism by imagining self and nation as a collaborative condition, one that must be endlessly reconstructed and defended in the face of xenophobia, sexual violence, economic ruin, social anomie, and political disintegration. I dreamt that I was in a hotel where there was a mural of that poem, which was by him, painted on a wall, and I was reading it aloud to somebody who was with me. It was Brooklyn. WASHINGTON SQUARE: Im intrigued by the extent to which youve referred to this poem as an autonomous entity: it seems to be voiced, what I read as fear or hesitation. Are there some poems that seem more or less transparent to you, more or less within your understanding and control, than others?SMITH: Oh, sure. the same desolate luxury, people lived paycheck to paycheck, unable to afford such luxuries like exotic fruits or pastries. Its actually the last poem in your book. Also, one of the strangest I think, because the role of the Poet Laureate is largely defined by the poet occupying that perch. Tracy K. Smith has her head in the stars. A tea they refused to carry. WebGarden of Eden story: summary On the sixth day of Creation, God created man in the form of Adam, moulding him from the dust of the ground (Genesis 2:7), breathing the breath In the poem, Declaration , by Tracy K. Smith, the author is able to criticize a powerful document and bring to light the racial injustices in modern-day society. I sensed my work as one of curating rather than composing. This is such a gift, to be able to visit different parts of the country and spend time with people in different communities, and listen to each other, and talk to each other, and think about what poetry already means to people there, and get their feedback on poems that might be new to them. Bank-balance math and counting days. K Smith. So the poems change for me too, which is I think affirmation that something real is happening. We poor oppressed ones, one writes Lincoln, appeal to you, and ask fair play.Arranged by Smith, these voices, often speaking in nonstandard English, become part of the American literary corpus. But if I do my job correctly, they slip away from that transparency and become something more than Id initially thought I was after. A two-time Hambidge fellow, her poems have appeared in such publications as Little Star, Prairie Schooner, december, American Life in Poetry andVerse Daily. My thirties. I claim pension under the general law, argues one appellant; (i shall hav to send this with out a stamp / for I haint money enough to buy a stamp), another says in closing his letter to the President (all italics and spellings original).In an endnote Smith refers to such texts as erasure poems, a somewhat ironic term. What do you try to impart as a teacher, and what, if anything, has teaching poetry taught you about writing it? But before we get to the analysis, lets briefly summarise the story of Adam and Eve in the Garden of Eden. On the sixth day of Creation, God created man in the form of Adam, moulding him from the dust of the ground (Genesis 2:7), breathing the breath of life into Adams nostrils. To order a copy for 7.64 go to guardianbookshop.com or call 0330 333 6846. Can I get you to read An Old Story? For Tracy K. Smith: Well, I thought that this conversation about how incapable we as a nation are of having a conversation across political difference or racial difference, that motivated me to think about how poetry might be a kind of bridge. I also think that over the years teaching has made me a better editor of my own work. Maybe I am asking my new poems to remind me that I am one of those people, that America is one of those people. I see it as my job to draw these things out, and offer the kinds of questions and observations that will help students move further into their strengths as writers, and to follow them toward an organic and genuine sense of their own deepening themes and questions. Everyone hunkers down alone with their stuff, just as capitalism wants it.Two vicious features of the system, which Im hardly the first to note, are its enforcement of rigid hierarchies (think about the racial pay gap, for example) and its wholesale razing of the biospheric life-support systems that allow civilization to exist in the first place. There is deep unease in those lines that Ive been puzzling over, and why would somebody be ashamed of innocence and privacy? In 2014 she was awarded the Academy of American Poets fellowship. Several poems in Wade in the Water were written after translating poems of hers called In the Distance and Green Trees Greet the Rainstorm.WASHINGTON SQUARE: Section III of Wade in the Water ends with a Political Poem: a vision of workers cutting grass and communicating intermittently by raising their arms. Attention to the stranger crossing any road in any town or city; patience with the awkward encounter, the unknown intention; respect for the other whom you do not know, but with a slightest stretch of mind, imagine you do. And then we find a way to have a conversation. WebSummary Semi-Splendid by Tracy K. Smith explores an argument from two perspectives.Both perspectives come from Smith, yet one is from a nice perspective, in which the poet typically just allows her boyfriend to win the argument, and the other perspective focuses on this moment, in which she stands up for herself and begins to I love you,I love you, as You flinch. This is my favorite feeling, something charged and electric. Whats going on there? Educated at Harvard and Columbia, teaching at Princeton, named the US Poet Laureate in 2017, and already freighted with laurels (her previous book, Life on Mars, won the 2012 Pulitzer), Smith is no undiscovered talent. 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